The Writing Forum Presents
The Poetry of Charlotte Ann Zuzak

 

WRITER’S PROFILE:

A resident of Pennsylvania Charlotte received her bachelor's degree from
Albion College and her master's from the University of Michigan, both in foreign languages. She spent several years teaching Spanish on the high school and college levels. She also spent several years as accompanist for voice students and as a church organist.

Charlotte and her husband, a retired university dean, have traveled extensively.
In 2007 they spent time in France, Sardinia and Corsica. In 2008 they expect to travel to Ireland. They have a daughter who is a physician.

Charlotte's poetry has appeared in The Storyteller, Hidden Oaks, Art with Words, Bell's Letters, Poet's Podium (Canada) and several other literary magazines. Her poetry appeared in Beyond Katrina, an anthology of poetry whose sales are given directly to a fund for Katrina victims. Also her poetry is seen in A Place of Amazing Grace, the chapbook put together to aid the
families of the Sago Mine disaster.

Email: zuz@zoominternet.net
 

POEMS:
(click on the button in front ot any poem title in the list below
to be linked directly to that poem’s location on the page)

  WINTER’S OVERTURE
  SEASONAL CHARISMA
  VOYAGE OF SEASONS
  NEW LIFE
  SEPTEMBER 11, 2006
  SEPTEMBER NIGHTMARE
  ATONEMENT
  MOODS OF FALL
  BECOMING A POEM
  SISTERS
  NIGHT CREATURES
  PENCIL AND PAPER
  DECISIONS
  LETTIE DIED
  MINER’S WIFE
  HOMELESS
  BLUE SICILY
  UPHEAVAL
  JUDGMENT
  NOCTURNE
  DUBROVNIK MOMENT
  MY BIRTHDAY
  SEASONAL HAZARD
  SPRINGTIME NATIVITY
  THE RING OF KERRY
  CHOICES
  GADFLY
  VERANDAS
  WOMAN OF THE HOLOCAUST
  SUMMER IN IRELAND
  REMNANTS OF THE PAST
  CRUEL BEAUTY
  Love Is...
  New Year’s Resolutions
  Assissted Living
  January 1

 

WINTER’S OVERTURE

Like eerie black skeletons the trees stand
Disrobed of their former raiment:
Leaves of spectacular reds and golds
Crumble like the fragile, transparent skin
Of an elderly, worn-out woman
Regal for a moment, but only a moment.

Shadows imposed by darkness and wind
Unfurl the sting of winter
Rising cheerless and mingling
In depressing, ebony mornings.

Piercing sleet comes with winter’s raw blast,
The blessed harvest gathered and stored
As blankets of frost cover the trees
And raucous geese fly in formation.

 

SEASONAL CHARISMA

Each of the seasons
Has its own personality
Reacting to the moods
Of the universe.

Storm-tossed November
Venerates soft, silky May,
Admired and adored with
Glances of desire.

Remember love glows
January to December,
Playful in May,
Serene in October.

 

VOYAGE OF SEASONS

Summer bestows sweet colors and scents
then whispers a bittersweet greeting
to the sultry colors of fall
as winter’s snows with hoarfrost
wait in the wings.

Bright October mornings
of crimson, gold and bronze
end as brown November frays
the crisp departing fall,
and winter takes the stage.

Breathtaking maple tree’s
shady beauty buried by
winter’s darkness
shaking with unwanted cold, is
consoled by orange and gray sunset.

But from the cold
comes icy beauty
controlling and demanding
as nature and all life reacts
searching warmth and nourishment.

The snow queen laughs,
her chilling breath throws
discomfort and death
across the earth until spring’s thaw
provokes her yearly demise.

Unforgiving winter’s chill
bows to spring’s new fragrance
caressing newly created life
as facing the sun,
winter halts her icy journey.

 

NEW LIFE

And so I shall continue to exist in a small being
I see in a sonogram—my daughter’s child.
A little girl, growing in the womb
a result of all life that has come before.
What of me will she treasure?
Poetry? Music?
The knitting to create a blanket for her bed?
Studying the medical photo I see the tiny beginning
of a woman’s body, but where is the soul?

 

SEPTEMBER 11, 2006

Passing through Shanksville,
quiet and modest,
fog and rain
reflect the memories of
pain and bewilderment, as
patriotic banners adorn the
porches of simple homes
lining the hills.
A flag at half-mast in front of
the post office is visible
while driving the PA turnpike.

Life goes on as babies are born
and the elderly give way as they
pass to the next life after
laboring in the mines, praying the rosary
and planting the gardens that
sustained them through winter
after another spring brought rebirth
to the land bearing scars where
the terrorists crashed.

 

SEPTEMBER NIGHTMARE

In a hotel room in Venice
I stare at a screen
of towers demolished
the Pentagon invaded
pinching myself, willing myself
to wake from this nightmare
but the horror won’t leave.

It’s not happening to me or
my country or my daughter in DC
who is driving and watching the explosion
aimed at a five-sided building.

So far from home and so helpless
I want to run through the streets
and tell everyone that my country is good
that I’m a good person.
We have our faults just like everyone.

A shopkeeper in Sicily smiles
from her window
pointing at a sign she had posted:
“For American friends
your pain is our pain
your mourning is our mourning.
God bless you.”

 

ATONEMENT

And so we meet again after twelve years
having had bitter thoughts of each other
through contagious anger spread by devious kin.
Disease of falsehoods permeated us with
illness of gossip that through the years
kept us apart.
We come together for reunion and wedding,
a time of joy with siblings so long removed
and kinsmen with whom we’ll make acquaintance.

So nice to know that we are not alone,
that someone still cares and picked up the phone.
I rue the fact that I was remiss, not recognizing
the fact that a wedge of hate was placed between us
by someone whose anger was bitter loneliness.

 

MOODS OF FALL

Filminess of webs on ground warn of
changes to come.
Gray skies and sharp touch of rain
preclude the snow and treacherous ice
that will will appear in the all too near future.
Like an aging human the year follows its
own pattern and proves that life is eternal
when spring comes forth in early months.

 

BECOMING A POEM

It has been so long since I have written,
since inspiration has touched me,
but I have been moved by the rough beauty
of Eire, in spite of the cold and rain.
I returned to the land which touched me
in a way I cannot describe on paper. I can
only stand and observe the rough beauty
of green hills imbedded with craggy stone.
The music and stories which entertain
at the end of a rough day of labor,
a sharing of talent handed down by the bards
in the pubs where the whistle, the bodrhán, the
bagpipes and fiddles combine to create
a setting of the past as the dancing begins.

I surrender to feelings of pain and joy,
of the present emerging from
anger, war and death.
I retreat to my beginnings, the land that formed me,
becoming part of a poem.

 

SISTERS

We are together after years of absence
because of what someone else said.
The pain is gone, and anger vanished,
we are family again in spite of differences.
The years of important events for both of us
not celebrated together now come alive
as we rejoice with each other not mentioning
the one who brought anguish to each of us.
We are not alike, what you take sustenance in
I do not, but I respect your right to live and love
as you wish.

 

NIGHT CREATURES

Changes occur under
the moon at midnight
as denizens of the dark
not accepted by day
emerge and take their space.
Discarded street people with
abandoned animals take
comfort from each other
huddling in doorways for
warmth and cover,
a moment of caring and concern.

 

PENCIL AND PAPER

Such power contained
in a number two pencil
and lined school paper,
humble instruments of
creation, whether of
arrows of love or hate.

A word entered or dropped
can indicate feelings
never uttered, open to
misinterpretation.

That which is written
can create turmoil or pleasure,
tell lies, cause tears or
lessen deep pain.
The choice is the writers:
a document of peace and love
or an instrument of vindictive evil.

 

DECISIONS

Please, dear God,
I know I’m getting older,
but don’t let me falter
like the blue-haired ladies
that I see around town.
Miss Hinton has a post office problem:
to buy two stamps or three.
She’s not a letter writer and is
computer illiterate.
She was my typing teacher
during her first year of educating.
Old Mrs. Maxwell has problems with groceries:
she studies the bean cans,
reading the labels and
deciding food value.
Her cart occupies the middle of the aisle
as she leans on her cane
to examine the foods.
“Am I in your way?”
She turns away not really caring.
Mr. Newton is the one to avoid as he
comes close to self-destructing
in the parking lot.
He glares and stares when you stop
for your safety,
barely able to see through his
bottle-bottom glasses.
I love these people, I really do.
But, oh dear God, keep me safe.

 

LETTIE DIED

Lettie died, the house is empty,
no one in the family left.
Flowered sheets once used as curtains
faded now by brilliant sunlight
rot and crumble to the floor.
Beer and coke cans thrown at windows,
no one seems to care;
The lock is broken, all may enter.
Look! the bed where Lettie died!
The front porch sags where Lettie sat
passing all her summer days
diabetic and overweight,
withdrew from life when Mama died.
Noisy tots on tricycles
pump their legs to get on by.
The house of ghosts, or so says Grandma,
restless souls who cannot sleep.

 

MINER’S WIFE

How do I explain to my children
Dina, four and Danny, six
that we’re waiting to hear
if the mine collapsed,
that Daddy’s involved
and may not come out.
I ran through the snow in my bare feet,
not feeling the numbing cold
when the announcement ran through
the patch and Mom came and
took the children.
“Wild and Wonderful” says the license plate,
but then there’s these moments of anguish
where we sit in the union hall or church
praying for a miracle and wondering why
we allowed our husbands to go underground.

 

HOMELESS

The woman smiles vacantly
waiting for the bus,
but not climbing on;
eyes lined, hair matted,
hands in moth-eaten gloves.
She talks to a photo
she grasps in her hands
of sorrows and pain of the past,
oblivious to those who stare or ignore her.
Her old knit cap covers reflections
she refuses to share as a
refugee from a life of comfort
now at the mercy of the elements
and the law.

 

BLUE SICILY

The morning haze lifts off
the clear, blue waters of Sicily and
moves on revealing an azure sky
reflected in the water.
Levels of blue from light to dark
display life forms not seen on land,
with actors performing in a theater under water.
The religious sisters emerge from the convent
out on a shopping day,
laughing, whispering as their blue habits wrap ‘round them,
Mary’s color moves down the street.
Etna spewed last night sending out fiery orange lava,
but today the peace of blue sky and white clouds
settles back to a pattern that is Sicily.

 

UPHEAVAL

Nights of music
in the French Quarter,
courageous faces
sweating and fighting the
elements that destroyed
the links to French ancestry as
Grand-mere’s house drowned in filth,
while memories of galas swept
out to sea.

There was Angelique
who cleaned the house,
beautiful smile set in
warm, brown skin,
the blend of the French
with native charm,
has left taking nothing
because nothing remained.

 

JUDGMENT

I have often wondered if
at my final moment
I will be judged by
the tedium of my everyday life
or the few great moments
when I have shone.

Life has been a performance
with no time for rehearsal.

Perhaps what I consider my finest hour
is not what the Divine finds acceptable,
if indeed it is touched by vanity and
the need to be judged by my
neighbor’s standards, or
refusing to listen to my inner voice
because no one visible is
following me, prodding me, holding me.

 

NOCTURNE

Lights appear in dwellings, eyes piercing the dark,
life stories seen through the windows
set against the background of night.
Footsteps and noises ignored during the day
create fear of unknown monsters;
bats circling chimneys with frenetic moves
play out their fictional role of the gothic.
Cats in the alley stalking each other
with their ancestral mating calls
staking their ground, their partners;
animals settle on the banks of the creek,
not quite asleep, guarding their young.
The mournful cry of the midnight train
combines with the ambulance siren
wailing and piercing, announcing a tragedy.
The hospital is sleepless,
A “do not resuscitate” in room 309.
The convenience store clerk, young and afraid,
jumps when two headlights approach.
A change of shift at the factory means business,
candy bars and coffee for dinner or breakfast;
dusk to daylight has its own song.

 

DUBROVNIK MOMENT

Sitting in the square of the fortified city
a jewel in Croatia’s crown
guarded by Mestrovic’s sculpture of St. Blaise,
one enjoys a coffee while observing humanity
in all its astonishing aspects.
His favorite hymn is background as
the flags fly low for the
holy man in Rome who gave
all of himself to vows made in secret,
fearless and unafraid.

Emerging unnoticed among tourists
and churchgoers
an old man shuffles,
a bag in his hand;
he gazes at the pigeons crowding the square
talking to himself and smiling,
wearing an old ball cap with
shabby jacket and threadbare pants.
The smile on his face is beatific,
a replica of the man who has died.
Ignored by the crowds walking by,
he opens his bag and throws breadcrumbs.
The birds surround him as he laughs for joy
at feeding the least of God’s creatures.
Throwing the last piece he folds the bag
placing it in his pocket.
Smiling and humming he leaves the square
unnoticed but happy, his communion completed.

 

MY BIRTHDAY

It’s my birthday and
I don’t want to celebrate,
It’s my day and I want it my way;
I had the cake with candles
As a school girl
When Jenny O’Malley
Threw a tantrum
Not winning a prize.
I don’t want to go to a restaurant
Where someone will whisper
And arrange for a cake where
The servers surround me and sing
Happy Birthday, not knowing my name,
And some woman is hollering
For her needed martini.
But I will go through the motions
So that you are happy, my dear;
I’d rather sit home in my new recliner
With a mystery, scented candle
And the dog.

 

SEASONAL HAZARD

Crisp perfume of cold air
Proclaims the coming of more snow
Adding to the crackling crunch
Of footsteps seeking warmth of home;
Forbidding gray skies warn the traveler
Of possible dangers as icy flowers
Form a hazardous blanket,
A challenge to all creatures until
The glow of sun dispels the peril,
Erasing all signs of winter.

 

SPRINGTIME NATIVITY

It’s left to her to create the nest,
seek the twigs to form protection,
build it deep to hold new life,
keep the eggs warm with her body,
waiting for the moment of birth.
Hungry mouths like any baby
reach to their mother
as she leaves and seeks
the big, juicy worms drawn
forth from the earth.
Mama perches on a nearby branch
as the babies try their wings,
landing on the sidewalk in shock
at first flight.
Scrambling for cover in a bush,
the realization that there are enemies
pushes the babies toward maturity;
Mama looks on until they leave.
Standing on the nest edge for the last time,
she has fought obstacles
awaiting her fledglings
and now the cycle will repeat.

 

THE RING OF KERRY

Fragments of earth set in water,
scabs remaining from the ice age,
a haze surrounding the hills
embedded with rock
which resembles a craggy-faced Irishman
who stubbornly refuses to change.
The sheep roam the hills
soon lost in the clouds,
land disappearing in delicate mist,
a curtain gently cutting off time.

The silence is thunderous,
the beauty breathtaking.
No queen's jewels compare
with this work of the ages,
a cathedral created by nature.
The green land contrasts
with gray water and sky,
the smell of the land is
a perfume of time.

At the top of the Ring
sits a strange, little figure,
a leprechaun playing his whistle,
caught up in the music
which tells a sad history of
famine, the British and exile.
The tourists throw coins
and speak into cameras.
The little, old leprechaun is amused,
for he knows the land as they
never will, even through film
and travel brochures.

 

CHOICES

Crayola imperfections
appreciated by Mom,
sign of beauty
and love of child.
Staying in lines
is not important,
beauty is not rigid.
Looking beyond
the lines is like
the road less traveled:
it can make the difference.

 

GADFLY

That nasty old squirrel
taunts my sly, clever cat
in a language
known only to him.

My tabby observes,
her eyes half-closed,
sunning herself
like a pampered queen.

Her move is sudden,
the squirrel is startled,
as my tabby starts the chase
up the tree to a branch.

Sir Squirrel starts to trip,
he's hanging by front paws,
the branch snaps a bounce,
he's thrown to the roof.

Miss Tabby yawns and blinks
on the ground where she's jumped,
and scornfully struts
to her pillow on the porch.

 

VERANDAS

I love the old houses with wraparound verandas
of a bygone era when relationships mattered,
sitting on swings or wicker sofas
greeting the neighbors walking by.
Musical breezes from leaves on the trees
act as nature’s symphony orchestra.
Sitting on the porch while a soft summer rain
brought calm and a moment of rest;
writing a letter, a poem or a story
the veranda was also an office.
Talking with Grandpa or that very special one,
talking of the past or creating a future,
the veranda was a stage setting for life.

 

WOMAN OF THE HOLOCAUST

Thoughts at Auschwitz, July 2005

Who was I?
Does it matter?
I had a voice,
I was a mother, grandmother,
wife and daughter;
but one day they came,
the ugly, brown uniforms,
loaded us on trains
to be relocated.
Why would I wish to move?
I was happy in Krakow
with my family and home.
Only one suitcase,
they told us.

Crammed in like animals,
what was happening?
Everyone was crying,
some were praying.
Where was my husband?
The train door slid open:
women and children one way,
men and healthy boys another.
Act strong, someone whispered,
don’t cry or be weak.

I was sent to the showers and
my lungs burst in death,
but no pain at crematorium,
the horror was complete.
I hope my ashes nurtured
a tree of new life that helped
cover the killing fields.

 

SUMMER IN IRELAND

I’ve experienced great art in the Vatican,
walked through the Louvre and the Prado,
but nothing compares to God’s
amazing creation of an island called Ireland.
To stand in the mountains is to see God’s work
in all its raw splendor
reflected in a people who laugh and sing
in spite of famines and struggles.
Rocky sheep-covered hills
reach down to the waters
where wee tiny islands, molded by earthquakes
rise in proud splendor.
The gray, misty clouds, touching the
mountaintops, open a door to another world.
Old Celtic crosses reflect the Christianity
that replaced the Druids and gods of nature.

Down in the pubs they sing and dance
with an intensity that comes from
working the land.
They have known adversity and rise from
the ashes to stand and pray,
drawing deep breaths, continuing to fight.

 

REMNANTS OF THE PAST

The dusty, old farmhouse
sits in the hills
part of the past of Mail Pouch barns
and Burma Shave signs that we
paused to read on afternoon drives.
The veranda is sagging,
an old hound is scratching,
cattle lethargically react to the heat
as ducks scurry nowhere
cackling and scolding.
Mister and Missus,
oblivious to all,
sit on the porch waiting for nothing,
she with a fan from First Bible Church
and he with a plug in his cheek.
An old wringer washer stands in the corner,
been there since they can’t remember,
but possessions are hard to part with.

 

CRUEL BEAUTY

The alabaster snow hides
the scars of dead earth
with a cold, cruel beauty
fierce and crippling,
lacking in warmth.
The snow queen battles
with moaning wind
refusing to withdraw
as her anger increases,
veiling any promise
of renewal and rebirth.
Laughing she challenges
all rights for survival
humiliating both man and beast.

 

Love Is...

receiving as well as giving,
allowing the beloved his or her space,
leaving the other to use their talents,
time away from the other
in order to come together,
being there in time of pain,
joy at the other's accomplishments,
encouragement in moment of failure,
a handkerchief in time of grief,
flowers for no reason at all,
hugs and kisses at all times.

 

NEW YEAR'S RESOLUTIONS

Resolutions made the first of the year,
vague and illusive, significant at the moment,
but fleeting as foolish, idle thoughts.
"Absorb and observe" sum up my needs
as I become an element of wherever I am:
perceive the aura surrounding me,
enjoy the soft rain, the warmth of the sun,
the fragrance of nature and its untouched settings.
I will walk and feel the earth under foot
trying to put my thoughts to words as I
seek to become as one with the setting.

 

ASSISTED LIVING

Life is down to no-frills necessities
in a room with the chest of drawers,
double bed and television.
The walker stands in the corner
waiting to be used to get to the dining room,
the social activity three times a day.
The nurse's aide, with her lilting Haitian accent,
comes around to check during the day:
time for meds, channel change? a walk
down the hall? a glass of juice?
You know that you musn't drive a car.
The house is gone, and so are its furnishings,
let's face it, life is over.
Grandchildren come to visit,
sighs of relief when it's over.
Dreams of the past when life was real
occupy time until dinner and bed.

 

JANUARY 1

The holidays end with the start of the sales,
Christmas decorations tarnished and sad
look like leftover buffet casseroles;
the long glitzy season of overindulging
died with a whimper this morning.

One more cigarette, one piece of candy,
a drink to welcome the New Year,
Chia plants and clappers are packed away
as the public starts buying Valentine cards.

From Christianity to the pagan god Cupid
we celebrate love with prayers and dark chocolate.